Wednesday, December 8, 2010

Casehard Combination Locks How To Open

Regain Love and after?

Love ... This idea we have of his own necessity. This selfishness absolute, which projects into the eyes of another's being. Who asks that other to justify ourselves.
Since we are not able to will ourselves, we ask them to bring our existence. We impose to endorse our desire to live. All love and work.
But then, it's love, the worst cruelties.

Monday, December 6, 2010

What's The Difference Between Emu Bronte And S

Combat (1) Shadow

Selected Poems of Andre Chenet According to the anthology "Poetry Combat " Pascal Perrot that constitutes the last few months on the pages of the group of the same name that runs on the social network Facebook .


Pascal Perrot, fearless defender of poetry in all its forms and instigator of the movement "Uprising poetic" and " Uppercut" (visual and audio) is also a connoisseur slam, spoken word and rap as well as new music trends supported by strong poems. His interventions on stage, his power of improvisation in the cut and thrust have earned at other times the nickname of "Poetic Gladiator." Poet, performer, novelist, this "pedestrian Paris" constantly attentive to his time and alert to shifts of reality, has recently posted " Drafts Cultures ", a" web magazine "(arts, literature, music, cinema, theater ...) where, excellently accompanied by his wife Gracia Bejjani-Perrot (chronic, layout, graphics) , it is carried out with skill and lucidity in the art of creative criticism: "Give see, to dream, to think in a spirit of sharing ... This site is written for four hands is not meant not detached from the cultural news, but remain subject to all . "From an article to another, the multidimensional universe proves Pascal Perrot a richness that is confusing by the splendor of the unexpected trajectory of a sentence or rocket by delicate tangle of twists and turns of reasoning in sham.
ago the philosopher in him, or rather a philosopher poet writing aloud, standing in the emergency pre-means "the present, while circumscribing, not without humor, the outrageous excesses of our civilization gargling from bankruptcy. In this, the selection of poems below reflects the spirit of rebellion slaying the rigid codes and layouts, use bulky partition talkative an insatiable modernity always demanding more new and original, until congestion ensues.

To read his biography and read a selection of his poems, visit:
- http://poesiedanger.blogspot.com/search/label/Pascal% 20Perrot








Démesure of poetry

The poem is that which has neither name nor rest, nor place, nor remains: to crack the work is moving. Needless to identify out of some famous landscapes in the area forbidden thoughts, antinature horizon and then completed after his passing. It haunts our space because it is our time. Elusive in each of his figures which arises only to link its emerging tendency to unpredictable inheritance, the poem secretes its own history as the plane spirals its tracer irreducible linear in nature that was in this blue-white . Building on the starry explosion of language, mulling over the beginnings of the fledgling event, leaving the gesture of its functional uses, the cutting of its thematic intent, the poem that after he struck the man pages to request shelter and rest for a story, the perfect model glimpse of the blue stone on a face, not the key. Without remission.

Jacques Garelli
(from "Build " Mercure de France--)

Link: - http://fr.wikipedia.org/wiki/Jacques_Garelli







From the state court

That one who said our king
That one that comes with war
That one fact that all our goods
That war kills those who he wants
That one everyone who deut
That one who brings sizes
In the great fire of hell Devil take
If he will have peace after death. Who has money

war
Who maintains money becomes
gentleman who makes money every honor
Who is lord
money he keeps the ladies Who has any money
good sound it happens
Who ac'est money in the world's heart is the flower

On all alive is he who can and is
But the bad guys always have their money

Who has money for man is wise Who keeps
money to everyone who
it contains money has always noise in force
Without rigor

Who has money as he pleases
Who has money for all he
C ' happiness is
To have money when default never
But the wicked always their money necessary. Who

aa money back and all
Who likes money each his possession just
Who has money on it has no error
From misfortune
Who has no money right not deal
Who wants money to a if all subvient
Who has money he is a cleric and doctor prior

And if everyone has property exalt the wicked
But still they need money.

Money is everything, as an affront to all law judge
he twists become
Money makes everything as it should be maintained Rumors
lose debates city and castles
Money is everything when it does hold
Between lazy traitors to heaps.

For money people are hanged
For money castles are sold
For all evil money is money committed by
rights are rendered honors
For money are lost by
money is sold by his friends money was once dismissed
P ar the good money comes worse
For money is the man subjected to severe pain
and martyrdom.

John's Bridge-Espine Alletz (1490? -1500?)

-



Proclamation

It is done, gentlemen! Already

wax mannequins invade libraries
women walk like wet flags
Fools distribute the image of their mind
the doors of abandoned churches

Laugh
I forbid you to laugh or cringe
I forbid you to sell your love songs
Sow your tinsel
Eat flowers and rockets
Minding your food to those animals
And give them all the heart and the rest of

no longer driving your kids to school
Teach them use the word SECRET
From

We have already reversed the multiplication tables
We go back over to the house of crime
We are tireless even in sleep
Stay for the said


Today's Around the World In

TOUR
of
WORLD

ELT Mesens

- http://fr.wikipedia.org/wiki/E._L._T._Mesens









Creed I believe in man, this shit
I believe in man, this manure,
This quicksand, this dead water.

I believe in the man, twisted,
This bladder vanity.
I believe in man, this ointment
This bell, this feather in the wind,
This firebrand, this search-shit.
I believe in man, blood-licking.

Despite everything he could do
In fatal and irreparable. I believe in him

For the safety of his hand,
For his taste of freedom,
For the game of fantasy.

For his vertigo before the star, I believe in him

For the salt of his friendship,
For water from his eyes, for his laughter,
For momentum and weaknesses.

I think forever For
him a hand that was stretched.
For a look that was offered.
And first and foremost
For the simple home of a shepherd.


Lucien Jacques (from "Poetic Anthology "-Editions Les Cahiers de l'Artisan)

- http://amislucienjacques.monsite-orange.fr/







On the night survivor


learn very slowly to live open
bury the human face as gangrene gold
and I dropped shards of flesh in the sun
forgotten men unnecessary

the night surviving men are contagious
ago guns heavier than shoulders
I saw snow falling gray moths
excised and the mother's body under the trees

but finally when the bark will have mercy Tree
blind when the birds sing still
waves reach to homes burning

then we will go alone in our clothes
stone naked women under their skin
dawn light up and go among you as a crime which amounts

Tristan Cabral


- http://poesiedanger.blogspot.com/search/label/Tristan% 20Cabral
- http://www.dailymotion.com/video/x4n4ui_tristan-cabral_creation





Property division

thieves watch the continents


booty but beware we keep the rest the rest

the star of the shepherd's song from

Lane and silence all primers

all beds nap
and the printed page and the dahlia flowered
portraits guitar
wind loaded with thorns where roses are gearing
the source in the pre
wing
to scatter throughout the water glass to that memory

bare sand geography
our forests
where
lose your commandments and the public and our joint projects
many palaces built from the shadows of our
not against you
you false acrobats
the real bosses of banks
wrestlers showmen of metaphysics
you and your world where swagger
where trime
where we bullied
your world backwards to reverse
to pour in through the
will
as the exploitation of man by man

Roger Bordier

- http://fr.wikipedia.org/wiki/Roger_Bordier








therefore
freedom means freedom
Afghan pain means pain
Jewish freedom means
pain pain near East
Argentine Chilean Polish Korean
pain pain black
I mean: freedom
means instead of pain

but I would rather
freedom means need to say
necessary rights and human liberty
stress
states rights just make
verifiable: it will mean
calving of killing
setting fire to the machine which

escort and changes in the warm terror declaration
rights

I mean freedom to found yet


; Jean-Pierre Faye

- http://www.cipmarseille.com/auteur_fiche.php?id=1549








TOMB FOR NEW YORK (excerpt)

Spray you, statues of liberties, nails driven into the breast with a wisdom that mimics the wisdom of roses. From the East wind blows again, tears tents and skyscrapers. Write two wings: an alphabet

second rises on the slopes of the West and the sun is the son of a tree planted in the garden of Al-Quds. Thus j'attise my flame. I begin, shapes and defined:

New York woman whose straw bed is rocking the vacuum in vacuum.

And now the ceiling is disintegrating: every word is a sign of falling, movement is shovel or hoe. Right and left, bodies that would change the love, the look, sound, smell, touch and change itself, opens a time portal, improvise and break the remaining hours, pleasure, poetry, morals, thirst, say, silence, and cancel the locks.

I seduce Beirut and its sisters, the capital.

They jump out of bed and shut the doors behind them from memory. They approach and hang with my poems, swaying gently. The pick for the bar, flowers for the window, and flames, history of bolts!

I said I seduced Beirut.
"Seeking the action, the floor is dead," say others.

call because your dead languages have waived the usual verb for that of mimicry. Speech? Do you see the flame? Then write. I say "write" I'm not "act out" or "copy it". Write. Ocean to the Gulf, I hear no tongue, I do not read a word. I hear that noise. I see no flame thrower.

call the lighter things. Everything is contained in it. The action is instant and direction, the floor is all directions, the whole time. I call hand and the hand is a dream.

I find you, O fire, my capital
I find you, poetry!

I seduce Beirut. She is and I clothe. As we wander the shelves and ask who reads, who sees? The Phantom for Dayan, and oil runs to his destination. God was right and Mao was right: "The weapons are a factor of great importance in the war, but not the decisive factor. It is man, not weapons, that is the decisive factor "and there is neither victory nor defeat final.

I repeated these sentences and maxims, as do the Arabs, wandering in Wall Street, where flowing rivers of gold of all shades from their remote sources. And I saw among them the rivers Arab carting millions of corpses, victims and offerings to the idol, and among the victims of the sailors who were laughing as they raced along the Chrysler Building to go back to basics then. Thus

j'attise my flame.

We live in the din black so that our lungs fill with air of history. We climb into eyes as black barricaded cemeteries to overcome the eclipse. We travel in black head to escort the sun future.

Adonis
(excerpt from "Tomb for New York " - translated by Anne Wade Minkowski - Sindbad Publishing)

- http://fr.wikipedia.org / wiki / Adonis_ (poet)






Dreams torn

to those St. Bernard


Those who are exiled to the confines
what did they do with their lives
what have they done with their memory
what have they done with the hope
that burned in the path of their veins?

What despair, what injury
the men have enrolled in their flesh
so they are silent and
and be silent in too obscurely
the endless echo of their dreams torn

; Bernard Mazo

(extract of "In Cold deadly exile " Rougerie-Publishing-)


- Spring poets









SUCH TO RATS, COCKROACHES ...



like rats, cockroaches
We reproduce at infinite speed
Hardly do you have the time
To kill a poet than a hundred others arise

The first five will be tens
consensual. Nothing to fear from them They sing
birds
flowers, landscapes and even poetry

The forty following will
Armed with rhymes and poor image in tatters
Their childish annonas Do
will shake your lofty pedestals

Of the ten who remain
one, maybe two left their mark
Those who cross their path
Your punishment is that you did not know which

A month or maybe a century
successor to his death a revolutionary
You will open heart
shooting at its
rhymes and anger

If you came to mind
From burning on the public square all poets

A new generation had already emerged before the first flame

Who knows some spoilsport
Might even exhume the words of your victims
And their abrasive power
Staying alive despite the weather and dust

I am alone and yet
I tell you that you are surrounded by my words Your power
I limited myself
est while carrying the germ toutes les cosmogonies! Pascal Perrot



- http://www.brouillons-de-culture.fr/
- http://insurrectionpoetique.mabulle.com/

Friday, November 19, 2010

South Park Ipod Online







Alborada

Goodbye - said the barefoot voice
pain Tired of having your crying baby herbs
to bury his memories
And sudden resurrection
has no face but not an oil canvas stalking. Love music theory
unexplored body magnolias
And your skin is a goldfinch.
pain is invincible love, it is no longer torment
melody but renamed
love the world.



-------------------------------


Point du jour


Adieu - douleur dit d'une voix the
déchaussée Fatiguée of souffre, elle ses Boit Pleurs
Ensevelit parmi ses souvenirs et les herbes
, Soudaine résurrection, elle n'a pas de face
guette N'est qu'un qui l'huile toile . L'amour
solf his body undiscovered
And Magnolias of her skin are goldfinches.
Pain is invincible love,
It is no longer torment but melody
Love renames the world.

In " 0rage (Ed. BOD, 2010)



***




Meeting with poetic Cristina Castello , Argentine poet, on the occasion of the publication of his art book Shadow / Sombra
On Monday, December 6, 2010 at 18:30

Shadow / Sombra
is published by Editions frames, designed to from two poems by Cristina Castello, enhanced three original prints of the poet, engraver and printmaker Gerard Truilhas.
The evening will be hosted by Pascal Perrot (Poet, writer, performer and art critic).
At this meeting, Cristina Castello will read poems Shadow / Sombra, book translated from English-Argentina by Pedro Vianna . Poets and comedians who will accompany his poems say appeared in various poetry magazines ( Passage ink , Other Voice, The Citadels , As poetry , Women of the Earth , The Notebooks Eucharis ...)



at the House of Latin America
217, boulevard Saint-Germain PARIS VII
Metro: Solferino / Rue Bac
RER: Musée d'Orsay
BUS: 63, 68, 69, 73, 83, 84, 94





Shadow / Sombra
Cristina CASTELLO - Gerard Truilhas
41 copies on Arches, signed and numbered with 3 engravings by Gerard Truilhas (size: 25 x 18.5 cm at -32 pages in Italian sheets) .- Frames Publishing, 2010





Order: HERE



At the end of the evening, the poet André Chenet present the poetry journal " Other Voice" which he founded in 2004. Cristina Castello read his poems published in the latest issue.








Links:
- http://www.cristinacastello.com/
- http://dfpagesperso-orange.fr/trames1.html (Editions Frames)
- http://www.brouillons-de-culture
- http://les-risques-du-journalisme.over-blog.com/article-ombre-livre-d-art-cristina-castello-l- console-Love-perhaps-of-both-of-shadow-60879267.html

Thursday, November 11, 2010

Biorad Gradient Temperature Calculator

Resist the night (2)

From "The language is my country," the latest book Jean-Marc Lafreniere :


Language is my country

Language is my country. I die and I saw each phrase.
Dead wood in the fireplace brings to life the flame. Just one word to open a door. Just a poem to cheer. Just a pattern in the filings of the magnet and the snow crystals to find his way. Just a kiss to erase the hate. Just an insect in the desert to find the oasis. Just a look in the middle of the night find the light. The sky is emerging on a feather, the ocean on a wave. Just a stone the size of a fingernail to bring the River.

Language is my country. Just a flute from the sounds of strings to find hope. Color slide under the crepe of mourning. Just smile at the pariah of the street. His heart beats faster as its share of rags. Just a simple flapping wings to reach the sky, a look, a word, a simple piece of bread, a glass of water on the table. Just a corner chair for hapiness. Alternately you the dowser, the shepherd, the orchard. Just a bee to find the apple. Just a crack to cross the wall, dress for rain weather the storm.

Language is my country. I have no use for a name, role, status. I mixed the blood of animals, dew days, the desert sand, the wings of birds, the bark of trees, the sunshine. It only takes one punch to contain his rage, a flower to laugh. Just a look to see the light on the paintings of painters. I seek goodness, beauty, modesty. I am mixed with leaves beset with weeds and laughter of children. Half the time I'm like the wave of the sea, the ebb tide, the undertow of words. Just a hug to complete the hand.

Language is my country. I do not care about boundaries, codes, a costume. The heart of blue cloth dress my word. I do not need a code, a salary, a goal. I sign the path name of my steps. Lost in the world I found my way among the vowels. I found the kernel in the hull of the words, the source of the page. When the light flickers, I rekindled a sentence. I open the door to the task of love to the beats of the heart, the garden pictures. Just one flower to find pollen.

Language is my country. Words can laugh and cry. They do not retain the lessons of the school but the wounds of time, large and small joys, the caress of fingers, the bite of flowers. They can not count but sometimes sing. They pick up the sun on the edge of the trees. They throw on the world a hint of justice, a spark, fire, pieces of life that are lacking. They look for the trees we picked fruit. The urge to write comes to me without knowing why.

Language is my country. I pick up the pencil something that glitters, pearl, crystal shard, a little bit of rain. What distinguishes sentences, vowels are the laundry, the jingling syllables. When I say infinity, I have only six letters to define the space. In the kitchen of the words, there is always a chair where nobody sits. That's where I write. When the mouth is more than a poorly extinguished cigarette butt, just a poem into a volcano. When the world is limited to the horizon of the eyes, the mouth enlarges infinite paths. The language of saliva glues together the broken floor.



***



I love you always already


Your smile is like water on sand too hot. In the churches of my dream, your breasts have replaced the saints. There are words that mix with the air, your pictures pollinate my eyes. You arrive in the heart of me, in this target explodes in me when the abyss. The wind rises and the sea caressing rain heightens the foliage. My hand is no longer blind. His lifeline to sprout again. Once, long before being born, I loved you already. I offer prayers to the infinite world.

It's always a miracle when two bodies are mixed and along the absolute. The arms are shelter which protects the heart. Behind every word, every step, every word I speak to you. The lower image is a small plant that I water for you. If my arms are too short, j'enlacerai words either side of you. If time is too long, pluck day on the calendar. Where the waves stop, I'll sand. I'd hill at the end of the valley. I would cloud the horizon beyond. I undress in my sentences to sleep with you.

I've never tasted my flavor before you. You taste my word. My two hands salute you. They cover each finger a bundle of hugs. My you extend both arms. Your eyes open for me new pictures. Your name is for me the meaning of life. I love you always have.


(Ed. THREE-PISTOLES, 2010)




Jean-Marc Lafreniere & Andre Chenet
in Nice October 21, 2010
(Photo: Cristina Castello )


3 poems Jean-Marc Lafreniere expressed by the author at the bookstore Draft Culture "Wilson place in Nice, France, October 23, 2010:
Some works of La Frenière : "The Other side " "Because ", " Manquablement" , Paths to editions of the pen, Nice, France.
Fire haunts me, The Art Editions Port, Three Rivers

See also the website of Paths Pen :